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On the conventional side of instrumentation, it's mostly pretty forgettable, along the lines of the issues I had with Jay Sean: light, breezy, mostly upbeat, a lot of sounds that wouldn't sound out of place off of the new Backstreet Boys album. well, I honesty have no idea what Derulo was going for, but it's definitely unique, that's for damn sure. Quite simply, the instrumentation on this album spans traditional pop and R&B to modern EDM to.
#BARBIE FLYING INTO FIRE VINE FIFTH HARMONY SONG PLUS#
And plus, JR Rotem is nowhere to be seen on this album, and there's little to no egregious oversampling or lyrical theft, which is a huge plus in my books.Īnd here's where any discussion of positives and negatives goes completely out the window, and that's because we have to talk about instrumentation and songwriting. That's definitely a big plus for Derulo - on this album, he definitely did assert an identity. And you know what? He actually does a much better job reasserting himself on his new tracks than he has on previous albums, and he finally dropped his irritating trademark of saying his name in his song. It's clear that he's actively working to escape the shadows of his origin and rise up towards the top (in other words, Usher).
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You can tell he's working his ass off on these tracks and he sells them with a ton of passion - which, for some songs, might be a tad misplaced, but I'll get to that later. While I'm still definitely not a fan of his vocals (and even less of his painfully weak falsetto), I can say as a performer he has improved. I know that's not exactly a statement of quality, but let me try to explain this, because even though the rational parts of my mind are telling me this album is quite bad, I'm still not sure I don't recommend you check it out, if only to screw with the people in accounting who are inevitably predicting a flop. It's more in line with a trainwreck, but one so utterly mesmerizing that I cannot look away because the train is loaded with oil drums and propane and you just don't know what part of it is going to blow up in spectacular ways next.
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As a critic, I typically tend to avoid this label because its usual euphemistic counterpart is that of 'guilty pleasures', and the two tend to be equivalent - and yet, I don't quite think I'd call this album a guilty pleasure. Okay, I need to clarify this: Jason Derulo's Tattoos is one of the very, very few albums I would ever classify as falling legitimately into the dangerously narrow category of 'So Bad It's Good'. However, I'm not sure I don't recommend Tattoos, if only because there are moments on this album that everyone needs to hear. And while I do think this new album Tattoos is something of an improvement for Jason Derulo, it's also the sort of album that I know I'm going to have a hard time reviewing. Well, this album did serve a big purpose in recapturing some feelings I have for the guy - but I'm not quite sure they're the right ones. Could I potentially recapture some of the positive feelings I had for Jason Derulo back in 2010? 'Don't Wanna Go Home' ended up topping my list of the worst hit songs of 2011 (yes, even beating out LMFAO's 'Sexy And I Know It'), and to this day, I don't think I can ever forgive Derulo for it.Īnd that's ultimately the reason I chose to shove back my nascent contempt for this fellow and give him another chance. To me, the second album struck as the low point, with Jason Derulo hitching his fortunes to the dying club boom and his opening single 'Don't Wanna Go Home' being a nauseating open theft from multiple songs I really liked. In my eyes, he very quickly went from a pop star I could say I liked to one I definitely said I loathed. But my liking for the guy faded in record time when I started taking a look at the lyrics, and I started noticing the fact that Jason Derulo can only really sing with autotune, and that he shouts out his name at the start of every single song. By no means I thought he was a great pop star, but he had a ton of energy, he seemed genuine, and his beats (courtesy of oversampling hack JR Rotem) tended to be pretty decent. Now I have to be honest: throughout the summer of 2010, I really liked this guy.